《真實身份2024》劇情簡介
本片改編自同名小說,講述了鏑木慶一作為一對夫婦被殺的殺人事件的嫌疑犯被捕,被判處死刑。他在移送過程中逃脫。鏑木越獄的消息在電視等媒體上被大肆報道,警方雖然全力追查鏑木的行蹤,但仍未能抓到他。另一方面,事件受害者夫婦中丈夫的母親井尾由子患有癡呆癥,受到了事件的創(chuàng)傷,仍在護理機構(gòu)進行療養(yǎng)。鏑木一邊逃跑一邊在躲藏的地方改變了名字和樣子,他與施工現(xiàn)場的工作人員野野村和也等許多人相遇,并將他們從困境中解救出來。當野野村他們發(fā)現(xiàn)鏑木是通緝中的死刑犯時,對于“他真的是殺人犯嗎?”開始產(chǎn)生疑問。
《真實身份2024》相關視頻
-
3.0
波哥大
2024
劇情
簡介: 20世紀90年代,一名韓國青年為了更好的生活搬到波哥大,在哥倫比亞黑市從底層做起,冒著危險試圖攀向成功的巔峰。
-
5.0
祝你好運2025
2025
劇情
簡介:
-
6.0
盧卡的世界
2025
劇情
簡介:
-
5.0
金錢堡壘
2024
劇情
簡介: 霧港市經(jīng)偵大隊隊長鄭義(王千源 飾)在調(diào)查一宗涉及數(shù)百億的股票詐騙案中,發(fā)現(xiàn)韓東川(馮紹峰 飾)以“Dr.Han”的名義,與好兄弟成立“大金牛投顧機構(gòu)”,利用直播誘導投資,做局詐騙。一場與時間賽跑的激烈較量,在警方反詐精英與“犯罪天才”之間展開。而隨著調(diào)查深入,真相卻愈加撲朔迷離。韓東川有何隱情?幕后黑手究竟是誰?重重迷局如何破解?在充滿欲望的金錢堡壘之中,一切懸念將被解開……
-
4.0
五月雪
2023
劇情
簡介: 夏日飛霜,冤情難遣。每個地方都有難忘的血腥紀念日。張吉安永志的是1969年5月13日,馬來人與華人在馬來西亞大選后展開全武斗,死傷枕藉。小女孩觀看粵劇中途幾乎遭毒手,僅憑躲入后臺逃過種族屠殺一劫。半世紀后,已遠嫁他方的她再逢大選,魂牽夢縈,舊魄不散,時空摺疊于無主孤墳,光影如真似幻,人注定迷走歧路。真人真事改編,魔幻現(xiàn)實的鏡頭、糅合民間信仰、戲曲藝術和歷史記憶,令觀眾無法不正視也許從未愈合的傷口。金馬影展開幕片。
-
2.0
你燃燒了我
2024
劇情
簡介: Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.
評論