簡介：　　夏日飛霜，冤情難遣。每個地方都有難忘的血腥紀(jì)念日。張吉安永志的是1969年5月13日，馬來人與華人在馬來西亞大選后展開全武斗，死傷枕藉。小女孩觀看粵劇中途幾乎遭毒手，僅憑躲入后臺逃過種族屠殺一劫。半世紀(jì)后，已遠(yuǎn)嫁他方的她再逢大選，魂?duì)繅艨M，舊魄不散，時空摺疊于無主孤墳，光影如真似幻，人注定迷走歧路。真人真事改編，魔幻現(xiàn)實(shí)的鏡頭、糅合民間信仰、戲曲藝術(shù)和歷史記憶，令觀眾無法不正視也許從未愈合的傷口。金馬影展開幕片。

簡介：　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

簡介：　　電影由漢中何振基創(chuàng)作的長篇小說《母親河》改編而成，以小見大，通過“母親河”漢江邊上陽壩村里的幾個年輕人的生活情感、迷惘挫折、成長的歷程，展現(xiàn)了陜南人民在面對困難、貧窮時，在美麗鄉(xiāng)村發(fā)展建設(shè)奔向富裕的過程中，改造自然并與自然環(huán)境和諧共生，進(jìn)行可持續(xù)發(fā)展的艱苦卓絕的奮斗。

簡介：　　對于21歲的加奈來說，考慮自己的未來一點(diǎn)意思也沒有：她不知道自己想要什么樣的生活，對任何事都缺乏熱情，甚至戀愛也只是為了消磨時間。與她同居的男友本田試圖通過負(fù)擔(dān)房租和為她做飯來取悅加奈，但這段戀情還是變得搖搖欲墜——加奈認(rèn)識了一位名叫林的創(chuàng)作者，隨著兩人關(guān)系的加深，她開始覺得本田是個負(fù)擔(dān)……

簡介：　　財神駐人間辦事處面臨裁員危機(jī)！處長王嘉誠臨危受命，只要找到遺失已久的上古奇石就能保住飯碗。就這樣，王嘉誠帶領(lǐng)五路財官踏上了人間尋寶之旅，本以為可以各顯神通，手拿把掐，不料一路上卻雞飛狗跳囧事頻出。

簡介：　　神偷勞拉面臨職業(yè)生涯最后的挑戰(zhàn)，然而在這一場危險的 “貓鼠游戲 ”里，她遇到了讓她激情難抑的女警察瑪克辛。（華堅馮力士）